Both thumbs are missing, and a wrist wound is visible on the right side, obviously due to a nail wound. The hands are crossed just below the umbilicus at the hip level with the left hand over the right one. The arms show directional blood flows consistent with the position they had during the crucifixion. The moustache and beard are visible and colored due to the fluid from the lung edema that came out of the nose and mouth, after the body was lowered from the cross and put in a horizontal position. This does not have the aspect of a fracture. There is a line in the middle of the bridge of the nose that is consistent with a bone/cartilage separation. The eyebrows and the area below the right eye and the bridge of the nose appear to be swollen. The head is bent forward, and slightly turned to the anatomical right side. The hair in the frontal image is forward, covering the ears. The back and top of the head also show bloodspots, as a result of the sharp thorns. In the frontal view the forehead area shows blood in the form of a reverse “figure-3” pattern, with small spots of blood on the left and right of the forehead and in the hair, all representing bleeding from the crown of thorns. The face has a mask-like appearance with the eyes representing an owl-eyed look. The body is naked, bearded and long-haired. The opposite end of the Shroud was then doubled over the top of the head, over the face and down to the front of the body. Positive and negative image of the Shroudīoth a front and a back image are present because the crucified man was laid out on one end of the 4 meter linen sheet. Other burn marks include the so-called poker holes for which no dating is known. The burn holes are on the side of the body image and result from a fire in 1532 in Chambery in the south of France. Further, the image has a number of burn holes, as well of water-stains. The most notable are the front and back images of a crucified man, head to head, with the feet of both images facing to the outside of the cloth. The fabric is hand-woven and handspun in a herringbone pattern and bears different images. These are the measurements of this linen after the restoration of 2002 and done by Bruno Barberis and Gian Maria Zaccone. The Shroud of Turin is a piece of linen 442.5 cm (441.5 cm) long and 113 cm (113.7 cm) wide. -Presentation: The Holographic Experience.-Sudarium of Oviedo Janice Bennet Bennett.-Isabel Piczek Article THE EVENT HORIZON.-Making of the Sculpture of Jesus Christ.-Research Nails, Phylacterie, Lance, Leptons.-VP-8 Image Analyzer and Set-up Research 3D.-Holography and the creation of the Master.-Conversion process of 2D to 3D and The Gray Scale.-Digitization of the photographic material.

-Photographic material – Giuseppe Enrie.-Holographic Observations in the Shroud Image (Holographic Theory).-3D Studies of the Shroud of Turin (history).-Image Qualities of the Shroud of Turin.

Shroud of turin 3d comparison